The Colosseum panorama, which opened in 1829 in Regent’s
Park, London, was a remarkable undertaking, 60 feet high and 130 feet
in diameter. The panorama of London as seen from the top of St. Paul’s
Cathedral covered 40,000 square feet including a dome of 15,000 square
feet painted as sky. Patrons viewed the 360 degree view from a central
observation platform reached by one of two circular staircases or by
a steam-powered elevator, one of the first passenger elevators in the
world. Based on 2,000 sketches made from the top of St. Paul’s
and transferred to the canvas, the panorama took almost four years to
complete. Colosseum patrons were offered state-of-the-art entertainment
in similar ways to the high-tech, luxury movie complexes being constructed
today.
Technological developments of the late 20th century
have made it possible to extend the 360 degree concept of the panorama
into today’s entertainment and marketing environments. Prominent
among these phenomena are Imax films.
Imax Corporation, which produces films shown on gigantic rectangular
or dome-shaped screens that extend beyond the viewer’s peripheral
vision, has migrated from the one-time venue of the exposition fairground
to a permanent purpose-built theater with rotating film attractions.
Imax promoters face the ongoing challenge of moving into wider commercial
markets with the long hoped for crossover film that will make Imax
a serious contender to Hollywood filmmaking and its massive audience.
Their hopes are reflected in increased attention to fiction films
and 3-D animation productions.
The appeal of the 360 degree view has persisted in the popular imaginary
and commercial marketplace since the late eighteenth century. The
World Wide Web has become a metaphor for panoramic perception, through
internet based 3D imaging technologies. It offers computer users the
ability to see everywhere, everything, all the time. Whether or not
web surfers will eventually demand 360 degree immersive visual content
remains to be seen; what we do know is that we’ve been here
before.